On one very special corner of my shelf, my novel stands beside books by some of the talented writers I’ve had the pleasure of knowing personally.
Alice Jolly and Colette Paul taught the wonderful Arvon course that started me on the journey to taking my writing seriously.
Nora Anne Brown, a lovely fellow student on the Bath Spa M.A. in Creative Writing, won the Lightship First Chapter Prize with this novel.
Kate Henriques, Joanne Sefton and Emma Smith Barton, three of the most talented students on the M.A., shared with me in several tutor groups, and became valued friends and critics of my work.
Michelle Lawson was my indefatigable colleague at North Devon College and has remained a good friend.
Together these books make up a wonderful sampler of contemporary women’s writing.
Colette’s Whoever you Choose to Love is a collection of poignant but subversive short stories that mingle high and low culture.
In Dead Babies and Seaside TownsAlice gives a beautifully written but heart-rending account of her journey through miscarriage, IVF and attempts at adoption to a more unorthodox route to a second child.
Nora’s novel The Flower Plantation is about the friendship of two children in war-torn Rwanda, and springs from her own deep love of Africa.
Kate blends fact and fiction in The Fat Girl in the Kitchen, an imaginative recreation of the life of her inspiring but infuriating Australian grandmother.
Michelle, in A House at the End of the Track, draws on her linguistic expertise and immense energy to delve beneath the romantic veneer of English incomers in a remote corner of France.
Joanne’s skilfully written and meticulously researched psychological thriller If They Knew keeps you guessing until its unsettling conclusion.
Emma’s YA novel The Million Pieces of Neena Gill, about the psychotic breakdown of a teenage girl, is utterly convincing and unexpectedly uplifting, and far too good for older readers to miss.
Most of these novels have benefitted from traditional publishers, but a couple were self-published, and one was crowd-funded. Together they showcase the wealth of talent that modern publishing opportunities have brought to light. Seven super books from seven inspiring writers!
‘A new survey has discovered that older women readers are fed up of being portrayed in fiction as dotty, daffy and either uninterested in, or desperate for, sex. The mega social media site Gransnet polled 1,046 women and found 47% of women over 40 say there are not enough books about middle-aged or older women — yet women over 45 buy more fiction than any other section of society. But the characters they encounter are often baffled by IT and confined to domestic situations.’ (Mslexia newsletter)
All credit, then, to Gransnet and HQ, who’ve launched a competition for a novel with a protagonist over 40, written by a woman over 40.
Why didn’t I enter Fragments of a Dream? Rosie, my protagonist, is well over 40, and so am I. But the competition is only open to UK residents, and I live abroad. It’s obstacles like this that led me, reluctantly, into self-publishing.
So if you’d like to read the novel, whether or not you’re a woman over 40, check it out on Amazon https://www.amazon.co.uk/Fragments-Dream-Ruth-Larrea/dp/1791539084 (Kindle and paperback). Set in Greece and England in the 1960s and the present day, it’s about Rosie’s search for her old flame, Angelos, the mistakes of youth, misunderstandings of language and culture, and her attempt to put them right.
‘Characters with real depth,’ one reviewer commented. ‘A fabulous read,’ said another. ‘I loved it from start to finish.’
It began with a map. A map of a country shaped like a sea creature with tentacles that spread south and east while its body clung to Europe as if the sea threatened to swallow it.
In our geography class we sketched in mountain ranges, wild peaks where eagles soared. We drew pitchers of wine, olive groves, baskets of grapes, a stringed instrument, an ancient vase, a young man dancing.
We coloured the sea turquoise and scattered it with islands, which our teacher told us were the summits of mountains half-drowned when a flood swept through the Gates of Hercules and filled the Mediterranean Basin.
It was a tragic country, beautiful in its brutality, ravaged but vibrant with life, and as my crayons skimmed over it, I yearned to know it for myself.
In blue ink, with my favourite pen, I wrote its name.
*This love of Greece inspired me to write ‘Fragments of a Dream’
Thanks to C.L. Naylor for this brilliant review of ‘Fragments of a Dream’
“If only Angelos and I could rewrite our lives on a blank page equipped with fresh wisdom and insight.”
Describing Larrea’s debut novel as a simple love story doesn’t quite do it justice. Considering the ageing population, marriages that collapse in later years and the need to be loved, it is refreshing that the protagonist is in her senior years, close to retirement. It is a romantic story of people in the third age of life rediscovering themselves and their loved ones.
Rosie Burden is a survivor and the novel has a positivity about it in spite of the setbacks. “A lifetime of sacrifices” is how she described putting Harry first. No tell-tale signs that he would leave Rosie for a younger woman. There were tensions throughout their marriage which affected their offspring, Lisa and Matthew but nothing unusual compared to other families. Rosie had seen her marriage as an insurance policy against the terrors of old age. A “death sentence” makes it a bit melodramatic but it does come as a shock to Rosie as the pessimism sets in for a while: frailty, senility, loneliness and decrepitude. Sounds scary, doesn’t it? Is this what’s in store for us?
Harry and Rosie had been an item during their 1960s university days. He seemed arrogant. In spite of a virginal Rosie, naïve and lacking in confidence she was attractive and was hungry for knowledge which appealed to Harry. It seemed inevitable that they would remain an item, marry and set up home together which is in fact what happened. Rosie’s first holiday abroad to Greece with fellow university friend Maggie Burns coincided with Harry’s climbing club trip to the Alps. Rosie and Maggie chose to visit Hydra, a beautiful island described as Bohemian, unspoiled and picturesque. Rosie fell for a 19 year old Greek Adonis “as gorgeous as a God on an ancient vase.” She had been “instantly captivated” and “mesmerised” by him “frolicking like a dolphin.” So different to Harry. Was this just a holiday romance?
A photograph take in Hydra in 1966 was a reminder of their youth, beauty and love. Her fling had cast a long shadow on her marriage and Harry reminded her of this when he wrote his parting note to tell her he had met someone else. Then walked out on her.
So, you can see where this is leading, can’t you? Rosie yearns to return to Hydra after 43 years to find her lost love. She didn’t want anyone to know the reason for her return because she’d have been labelled an “old fool” pursuing a “mad quest.” Trying to relive the past, for what it was worth, she invites Maggie once again who invites one of their university friends, Mike Knutt known as Knuttsie. Mike had had a crush on Rosie all those years ago and still carried the torch for her having had three disastrous marriages and three divorces. When Rosie feels at her lowest ebb he proposes and is sadly and inevitably rejected. A wonderful friend but not lover material.
Difficult to know what Rosie expected to find returning to the scene of her lustful youth. Hydra was exactly as she had remembered it but there had been changes. The flat-roofed house where she stayed didn’t seem to be there and the beach had been altered with the cliffs eroded and a few trees left. Rosie’s excitement and anticipation soon changed to disappointment. He wasn’t there and it had been a wasted journey.
“It was a mistake to revisit the past, dangerous to dream of the future.” So, whilst Rosie tries to relive her youth we are reminded of contemporary events happening in Greece: unrest in Athens, angry protests, petrol bombs thrown by anarchists, general strikes, airports and ferry terminals closed. Hints of realism.
And what of the enigmatic, misunderstood Angelos? A fascinating character, more husband material than Harry Burden, full of passion. We meet his nephew Nikos who becomes attached to Rosie’s granddaughter, Becca and with the next generation with their level-headedness there is every chance of love blossoming and lasting. What more can I say?
” Grasping at the past was like climbing the wrong way up a down escalator, refusing to believe it was stronger and faster than you.” Love makes fools of us all, regardless of age.
Available on kindle and paperback: ISBN: 978-1-79 153-908-5 Review by C.L.Naylor. Copyright 2019. Permission must be obtained from the writer before any of this is reproduced in any form.
I’ve never been much good at fitting into boxes. Just look at my biography and you’ll see what I mean. Academic qualifications, zany life-style choices. ‘What sort of woman is this?’ you might wonder.
My writing meets with much the same response. A fellow student on the MA once said, ‘I can equally imagine Ruth’s work as a fledgling best seller, or as a candidate for the Booker Prize.’ Now I don’t claim she meant that I’m a genius waiting to be discovered, simply that my writing style doesn’t fit easily into one genre.
‘It’s part women’s fiction, part literary fiction,’ one of my tutors complained. ‘You have to make up your mind which it’s to be.’ Agents and consultants agree. ‘The problem is,’ they say, ‘it’s hard to market a book that blends genres.’
I’m sure they’re right. They know far more about the bookselling business than I do. But I still find it difficult to believe that there aren’t readers out there who have the intellect to enjoy novels with depth, as well as the experience to identify with what might seem bohemian, or even ‘romantic and silly’, to quote one Amazon reviewer.
And yet . . . read on to see where the nub lies.
‘I had to persist with this book, but my persistence was richly rewarded. I initially found it romantic and silly, and I was irritated that men seemed to be so poorly understood and represented. However ………. I gradually realised I had been cleverly drawn in. I became sympathetic to this group of very imperfect characters, recognising in them my own silly and vulnerable humanity. I enjoyed the way events surprised me and kept me wondering where we were going. And why. I didn’t want to finish the book and felt bereft when I did. I hope Ruth Larrea will continue with this story. I think this belongs to an important and evolving genre about the life, loves and opportunities for people of ‘the third age’. It left me feeling younger and more hopeful. Thank you Ruth.’
Oh yes, I forgot to mention that this particular reader is a man. As far as I know, the only man — so far — to read it. Don’t men make mistakes in love, too?
So what about his idea that this might belong to a new genre – dealing with ‘the life, loves and opportunities for’ us oldies? After all, plenty of us enjoy reading. As one survey claims, 70% of Kindle owners are over 40. (https://www.cnet.com/news).
Some time ago I coined a possible term for this new genre. One that reviews the silly and romantic mistakes of youth with the wisdom of old age . . . .
Disclaimer: in no way are my lovely friends in the photos related to the silly, imperfect characters in my novel! I simply include them to illustrate the value of long-lasting friendships which Rosie eventually discovers.
My debut novel Fragments of a Dream is the story of Rosie’s search for lost love, set in Athens and the Greek island of Hydra. It’s a bittersweet tale that will make you laugh, cry and reflect on life’s complexities.
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